BADINERIE PLAYERS
ANZAMEMS Program 16 July 2015
Each item on this programme relates to a paper at the
conference.
1. Two anonymous 12th-century three-voice conductus:
Novus miles sequitur
(transcribed Woodward) (in memoriam Thomas Becket)
Congaudeant catholici
Paper: Rebekah Woodward, “Three Voices to Mourn Thomas
Becket”
2. Josquin des Prez (c. 1450/55–1521), En l’ombre d’ung buissonnet
Paper: Dr Denis Collins, “Josquin’s Lament and Emotional
Communities of Elite Musicians in the Late Fifteenth Century”
3. Cipriano de Rore (1515/16–1565), Grave pene in amor
Paper: Professor Jessie Ann Owens, “Cipriano de Rore and the
Musical Representation of Emotion”
4. Carl Heinrich Graun (1703/4–1759), Trio in C, GraunWV
B:XV:53
Adagio – Allegro – Largo – Allegro
Graun was the Kapellmeister
and composition teacher of Frederick the Great, himself a keen, skilled
musician.
Paper: Dr Bodie Ashton, “Homosexuality, Statecraft and
Kingly Masculinity: Frederick the Great, Identity, and the Prussian Crown on
the Cusp of Modernity”
The Badinerie Players:
Wayne Brennan and Chen Yang, Baroque violin
Michael O’Loghlin, treble and bass viol
Brisbane Baroque Festival
Brisbane City Hall
Wednesday, 15 April 2015 at 5pm
Admission $5 at the door!
Programme
Introdutione
seconda Tomaso
Albinoni (1671–c. 1750)
Fantasia
no. 9 à 5 John Jenkins (1592–1678)
Aria
Sopra la Ciacona Marco
Uccellini (c. 1603–1680)
Aria
Sopra la Ciaccona Tarquinio
Merula (c. 1594–1665)
Aria
“The unusual marriage of the hen and the cuckoo makes a fine concerto” Uccellini
Toccata
5, Tutta de Salti Johann Caspar Kerll (1627–1693)
Quartet
in F, “Echo” 1st movt Antonio Lotti
(1666–1740)
Fantasie
en Echo Marin Marais (1656–1728)
Canone
in tempo giusto Carlo
Tessarini (c. 1690–c. 1766)
Sonata
à 5 in G minor, op. 2 no. 5 Albinoni
The Badinerie Players:
Wayne
Brennan, Margaret Connolly baroque
violin
Nicholas
Tomkin baroque
viola
Dan
Curro baroque
cello
Michael
O’Loghlin viola
da gamba
Christopher
Wrench organ